激浪魔方——陶博納立方體研究2015-2025 展覽開幕邀請

激浪魔方——陶博納立方體研究2015-2025 展覽開幕邀請

牛房倉庫誠邀 閣下出席於12月10日(五)18:30,假 望廈山房 舉行之 2+0 / 1+1 藝術家駐場計劃:激浪魔方——陶博納立方體研究2015-2025 展覽開幕。

策展人 Curator:湯瑪斯 Dr. Thomas Täubner
藝術家Artist:曹愷 CAO Kai

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陶博納立方體(Täubner’s Cube),該名詞源自已故的德國攝影家威爾佛雷德.陶博納(Wilfried Täubner,1940-1994)關於「立方體」的觀念攝影,由中國藝術家曹愷在2015年為其命名,並使用這一概念進行研究和創作。

威爾佛雷德在其攝影圖像中創建了一座鋼結構立方體,框架式的六面體包括兩個垂直相交的鏡面,以及呈開放式的四邊構架。威爾佛雷德將這個立方體置放於不同的空間中,通過攝影鏡頭的平面轉譯,得到了一種類似矛盾空間的景觀圖像。立方體開放式的框架二度分割了其所存在的空間,呈現了一種割裂的畫面;直角鏡面起到了遮蔽與映射的雙重作用,強化了割裂後產生的錯位與硬接效果。由此產生了一種陌生景觀的疏離感。

藝術家曹愷早在1998年於中央美院學報《世界美術》上發表了對陶博納立方體最初的文本研究,在該文中,曹愷意象性地將立方體形容為一具矛盾的、悖論的、不可思議的「魔方」。

自2015年開始,與德國科隆枯藤森林的陶博納家族進行藝術合作,使用威爾佛雷德遺留的立方體概念,進行二度重建──觀念重建與影像重建。前者是打破既往裝置藝術對「物」的依賴和對「現成品」的迷戀,意圖以虛擬的思維建構來建立一種漂浮在意識中的立方體,通過冥想、圖畫、聲音(交談與獨白)、文字(寫作與詩歌)等形式來作為觀念表達。後者是以立方體為基本的空間構成,以動態和靜態的影像記錄及剪輯,來投射一種視覺意圖,這一意圖的表現方式包括行為藝術、噪音藝術、偶發藝術等激浪派行動與事件的製造。

參與曹愷這一藝術計劃的合作者包括漢學博士湯瑪斯、舞蹈與表演藝術家菊麟,以及擔任助理工作的藝術學生李詩賢、顧鑒予、新近加入該計劃的藝術學生曹越。在某種意義上,合作者也包括已故的威爾佛雷德本人──作為一種紀念,曹愷將與之相關的立方體命名為「陶博納立方體」。

Täubner’s Cube, originated from the conceptual photography of “Cubes” by the late German photographer Wilfried Täubner (1940-1994), is a term coined by Chinese artist Cao Kai in 2015, who has studied and made art creations based on this concept.

Wilfried Täubner created a steel cube structure for his images, comprising six faces that include two perpendicularly-placed mirrors and an open four-sided frame. Täubner placed the cube in different types of spaces, resulting in a type of contradictory landscape images through the flat conversion of the camera lens. The open frame of the cube divides the space where it is located for the second time, presenting a fragmented view; the surface of the perpendicularly-placed mirrors plays a dual role of concealment and reflection, underscoring the effects of displacement and rough connection following division. Thus, these create a sense of alienation from the unfamiliar landscape.

Artist Cao Kai published an initial study about Täubner’s Cube in World Art, a journal under the Central Academy of Fine Arts, in which Cao allegorically described the cube as the contradictory, paradoxical and inconceivable “KUBUS”.

Cao has started artistic collaboration with the Täubner family from the withered forest in Cologne, Germany since 2015, utilizing the cube concept left by Wilfried Täubner to undertake reconstruction — concept reconstruction and image reconstruction. The former is about busting the dependence of installation art on “thing” and its obsession with “ready-made”, and creating a cube in consciousness with the construction of virtual thinking through meditation, graphics, voices (dialogues and monologues), texts (writing and poems) and other forms of expressions of ideas. The latter is a space basically constituted by the cube, and it projects a visual intention with dynamic and static image recording and editing. The expressions of this intention include performance art, noise art, occasional art, and other Fluxus actions and activities.

The collaborators participating in this art programme by Cao include Sinology expert Thomas, dancer and performing artist Julin-Julia Täubner, assistants-cum-art students Li Shixian and Gu Jianyu, and art student Cao Yue that has recently joined the programme. In some sense, the list of collaborators also includes the late Wilfried Täubner — in commemoration of Wilfried, Cao Kai has named the relevant cube “Täubner’s Cube”.

展覽地點 Exhibition Venue:美副將大馬路55-61號望廈山房(美副將公務員宿舍舊址)N.º 55-61 Avenida do Coronel Mesquita, Mong-Ha Villas (Antigos Dormitórios de Funcionários Públicos)
開幕 Opening Ceremony:10/12/2021(星期五 Friday )18:30
展期 Exhibition Period:11/12/2021 – 09/01/2022
開放時間 Opening Hours:10:00-19:00

主辦 Organisation:牛房倉庫 Ox Warehouse
贊助 Sponsors:澳門基金會 Fundação Macau
獨家媒體支持 Single Cyber Media Support:灣區之下 Beyond the Bay
電郵 E-mail:oxwarehouse@gmail.com
社交平台 Social Media:Facebook|牛房倉庫 Ox Warehouse
Instagram|@oxwarehousemo

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