個人資料
黃曉文，澳門理工學院視藝術高等學校視覺藝術課程教育專業。
詳細作品資料
材料：白陶泥、紅陶泥、鐵支、金屬色料
尺寸：數字皆不含底座，單件為 35X35X35(CM)，整體為 105X105X105(CM)。
曾參與的聯展
2019 「視覺藝術課程三年級優秀作品展—素描三聯作霧非霧」，澳門理工學院明德樓展廳，澳門
2018 「鶵心—2018-19 視覺藝術課程大二優秀紙上作品展」，澳門理工學院明德樓展廳，澳門
作品簡介
《2020 社會病》是系列式的陶藝創作。以多角度叙事的方式抽取疫情期間所含藏的社會問題，目的從「感染」和「患病」的角度激發人們對社會發展的想像及推敲，探討疫情過後人們對社會轉變所重塑的適應力和防備心。
運用新型冠狀肺炎的病毒結構作為作品的基礎造型，配合表面不規則變化的符號和小手，重新诠释著疫情下社會急劇轉變所帶來的社會問題和生活模式，分別有「資訊過量的消化」、「虛實空間的入侵」、「全新的身分證明」等。激發觀者加入幻想，並對疫情記憶作出選擇，從危機中感知疫情下「社會病」的境況，期望透過詮釋作品的符碼可能，思考我们的城市會如何持续演化。
Introduction
“The sick on 2020 socie issue” is a series of contemporary ceramic art. it extracts the social problems which were contained during the epidemic in a multi-perspective narrative. By pushing people’s scrutiny and imagination of social development from the perspectives of “infection” and “illness” .exploreing their adaptation and defensiveness after the epidemic of social changes.
The shape of “The sick on 2020 socie issue” are basing from the COV-19 virus structure. combined with the irregularly changing symbols and small hands, it reinterprets the social problems and life patterns brought about by the rapid social transformation under the epidemic.including “excessive digestion of information”, “Invasion of virtual and real space”, “new identity certificate”, etc. those are Inspire viewers to imagine and making choices about the memory of the epidemic. and hope we can be perceived the situation of “socie issue” under the epidemic from the crisis, to think about how our city will continue to evolve by our interpreting the code possibilities of the work.
發佈者：澳門 理工學院，轉載請註明出處：https://fantasiamacau.com/2021/09/28/%e6%be%b3%e9%96%80%e7%90%86%e5%b7%a5%e5%ad%b8%e9%99%a2-%c2%b7-%e8%a8%ad%e8%a8%88%e5%8f%8a%e8%a6%96%e8%a6%ba%e8%97%9d%e8%a1%93%e8%aa%b2%e7%a8%8b%e7%95%a2%e6%a5%ad%e4%bd%9c%e5%93%81%e8%81%af%e5%b1%95-20/
